The Single Most Valuable Practice for Bassists

As a bassist, one of the most valuable ways to grow and improve isn’t just through practicing scales or working on technique—it’s through listening. Active listening to music offers insights you won’t find in textbooks, bringing real-world examples of groove, feel, tone, and harmony directly into your practice. This approach allows you to find the gold within the music, elements that make a song or performance truly exceptional.

In this post, I’ll break down some key bass performances that you can use as examples for your own listening practice. These tracks demonstrate not only mastery of the bass but also a deeper connection to the music's feel, harmony, and structure.

Here are five songs I chose. You can pick ones you like.


Free Bass Line TAB/Notation PDF and Backing Track


1. Private Life - Grace Jones [Robbie Shakespeare on bass]

Robbie Shakespeare’s playing on “Private Life” is a masterclass in groove and restraint. The bass line isn’t overly complex, but the feel is undeniable. By listening closely, you can learn how subtle shifts in timing and articulation can create a deep pocket that drives the song forward without overpowering it. Pay attention to his tone, and how it complements the space in the arrangement. Also, listen for the interplay between the drums and bass, a crucial relationship that defines the song’s rhythm.

Key Listening Focus: Groove, feel, pocket, tone.

Private Life - Grace Jones [Robbie Shakespeare on bass]


2. The Thrill Is Gone - BB King [Jerry Jemmott on bass]

This iconic blues track showcases Jerry Jemmott’s ability to serve the song with simplicity and power. His bass line holds down the harmonic foundation, while also contributing to the song’s emotional depth. Jemmott’s use of space in his playing is equally important as the notes he chooses. Listening to his subtle rhythmic variations can help you understand how to create dynamic tension and release in a performance.

Key Listening Focus: Groove, harmonic foundation, use of space, rhythmic variation.

The Thrill Is Gone - BB King [Jerry Jemmott on bass]


3. With Jupiter In Mind - Joe Satriani [Stu Hamm on bass]

Stu Hamm’s performance on “With Jupiter In Mind” is a great example of how a bassist can elevate an instrumental piece with a combination of groove, technique, and melodic phrasing. Hamm blends slap techniques with smooth fingerstyle passages, creating an ever-evolving texture that complements Satriani’s guitar work. The song offers a chance to study how a bassist can weave intricate melodic ideas into a composition while still anchoring the overall harmony.

Key Listening Focus: Melody, harmonic support, slap technique, tone shifts.

With Jupiter In Mind - Joe Satriani [Stu Hamm on bass]

Here's a backing track for you to practise going from E Dorian to E Lydian. Watch the video lesson if you don't know what that means.


4. Honestly (Solo Live) - Jaco Pastorius Style Lick

In this solo piece, Jaco Pastorius demonstrates why he is considered one of the most influential bassists of all time. His use of harmonics, speed, and fluidity is breathtaking, but even more impressive is his sense of musicality. Listening to his phrasing and dynamics can teach you how to use bass not just as a rhythmic instrument but as a lead voice that can carry a melody. The harmonic complexity in this lick also opens up new avenues for exploring chord-scale relationships.

Key Listening Focus: Harmonics, melody, phrasing, chord-scale relationships.

Jaco Pastorius style lick from Honestly (Solo Live)


5. Significant Other - Steven Wilson [Tony Levin on bass]

Tony Levin’s contribution to “Significant Other” showcases his deep understanding of both melody and rhythm. Levin’s bass line is foundational yet melodic, creating a rich harmonic bed for the song while still exploring creative rhythmic patterns. His use of octaves and syncopation adds layers of complexity without detracting from the song’s structure. This track is a perfect example of how to be both supportive and inventive at the same time.

Key Listening Focus: Rhythm, melodic bass lines, syncopation, octave usage.

Significant Other - Steven Wilson [Tony Levin on bass]


Final Thoughts

Each of these tracks offers a unique opportunity to dive into various elements of bass playing. When listening, pay attention to:

  • Feel and Groove: How the bassist locks in with the rhythm section.
  • Tone: The tonal choices made in relation to the song’s style and vibe.
  • Harmony: How the bass interacts with the chords and overall harmonic structure.
  • Techniques: What techniques (fingerstyle, slap, harmonics, etc.) are being used, and why they work in the context of the song.

By actively listening and dissecting these bass performances, you’ll develop a deeper understanding of what makes great bass playing and how you can apply these lessons to your own practice.

Create a playlist of songs you love, start listening, and find the gold within the music!


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  • Hum, Robbie is a great bass player, but for “private life” I think credit goes to Chrissie Hyde (pete Farndon – RIP).

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